Fresh frosted air, open expanse, and a mountain range blanketed from a blossom tree. Tussock warriors guard the solemn pass. Trepid spaces holding time, harsh but beautiful.

Valley’s flow into each another like a magic land, the winning land. I feel as if I’m special, visiting you, like I’ve travelled into a secret place that only few are privy to, like stepping through the wardrobe to Narnia. Our Narnia, Otago’s.

Human made landmarks tell the tale of our past. They make a home nestled amongst the landscape like an old friend.

The Pig Root tells a tale, and my stories are interwoven into it. The beauty gives and mystifies. It promises new discoveries, new compositions, new places to explore, like reading an epic novel on highway 85.

This series of paintings has been a chance to give myself an opportunity to pause, pursue and explore the sense of place I feel when emersed on State Highway 85, also known as the Pig Root.

When prompted to think about my own pepeha (introduction), I acknowledged the pig roots importance in my life, when I chose it as my place of belonging alongside the Maniototo.

I pondered on my connection to this place. As a child I spent holidays emersed in adventures in Naseby. I wondered if it went deeper. As a pakeha, that rugged, raw, empty but expansive landscape may evoke a sense of my New Zealand farming whakapapa, living in the rural. But perhaps it traces back to my distant Scottish ancestral memories.

Ive always driven this road to whānau in Central Otago. Queenstown, Naseby, Clyde, Arrowtown, and Five Rivers. It’s the end of the road past highway 85.

Often human made landmarks make their way into my work. They are a companion, hitch hiking and piggybacking off the landscapes adventure, or a mark of our domestic relationships with it. Ive acknowledged to myself, I have a curiosity for road signage. Although these are intended as safety features to guide us, they also act as images of symmetry or quirk, accompanying us to mark the journey, location and destination but also as a time stamp. They are a composition in themselves and become a part of the wider landscape from the perspective of the road.

I hope you enjoy this series of work. Whether you simply understand how important a journey can be, connect with the paint strokes/colours and energy from the artwork, or retain your own experience with the pig root or the destinations it leads to.

James Kerr